| Artist |
Title |
Program |
Date |
Performers |
Album |
Label |
Number |
|
(Click hyperlinks for special notes, to see more about artists, connect to record labels, and more!)
|
| Mabuse |
| |
Sphygmomanometer |
#90 |
2001 |
|
SONICABAL 2 -- Seattle Experimental Music Collective |
private distribution |
| Angus MacLise , et al. |
| |
Dreamweapon Benefit for the Oklahoma City Police Dept. pt. 2 |
#149 |
1968 |
Angus MacLise, Tony Conrad, Hetty MacLise, Henry Flynt, Jackson MacLow |
Brain Damage in Oklahoma City |
Quakebasket/Siltbreeze |
SB-81 |
| Jackson Mac Low and Anne Tardos |
| |
First Four-Language Word Event in Memoriam John Cage |
#2 |
1992 |
|
A Chance Operation: The John Cage Tribute |
Koch International Classics |
3-7238-2 Y6x2 |
| José Maceda |
| |
Colors Without Rhythm |
#76 |
1999 |
Philippine Philharmonic Orchestra (cond. J. Toledo) |
Gongs and Bamboos |
Tzadik |
TZ 7067 |
| Pagsamba |
#92 |
1968 |
241 players (cond. J. Maceda) |
Gongs and Bamboos |
Tzadik |
TZ 7067 |
| Suling-Suling |
#87 |
1985 |
Mills Contemporary Ensemble (cond. J. Maceda), et al. |
Gongs and Bamboos |
Tzadik |
TZ 7067 |
| Tod Machover |
| |
Bounce |
#11, #29 |
1992 |
Robert Shannon |
Bounce |
Bridge |
BCD 9040 |
| Famine |
#77, #123 |
1990 |
Electric Phoenix |
Flora |
Bridge |
BCD 9020 |
| Hidden Sparks |
#11, #29 |
1985 |
Maryvonne Le Dizes-Richard |
Hidden Sparks |
New World |
80333-2 |
| VALIS |
#11, #29, #177 |
1988 |
Patrick Mason, et al. |
VALIS |
Bridge |
BCD 9007 |
| Bruno Maderna |
| |
Concerto for Oboe and Orchestra No. 3 |
#62 |
1973 |
Fabian Menzel; Rundfunk-Sinfonieorchester Saarbrücken (dir. M. Stern) |
Rückblick Moderne |
Col Legno |
WWE 8CD 20041 |
| Madonna |
| |
Like A Prayer |
#109 |
1989 |
|
Like A Prayer |
Sire |
9 25844-2 |
| Maher Shalal Hash Baz |
| |
Post Office |
#167 |
2003 |
|
Wire Tapper 10, disc 1 |
The Wire |
|
| David Mahler |
| |
A Chorale that Ludvig Lindeman Wrote |
#151 |
1999 |
Thomas Peterson |
Hearing Voices |
Tzadik |
TZ 7064 |
| for Thom Miller |
#100 |
1986 |
|
The Voice of the Poet: Works on Tape 1972-1986 |
Artifact |
ART 1019 |
| The King of Angels |
#110 |
1977-1978 |
|
The Voice of the Poet: Works on Tape 1972-1986 |
Artifact |
ART 1019 |
| The Priest from Cape Breton |
#151 |
2000 |
Sandy Silva |
Hearing Voices |
Tzadik |
TZ 7064 |
| Wagnerian Opera |
#151 |
1999 |
Matthew Stadler |
Hearing Voices |
Tzadik |
TZ 7064 |
| Who I Just Adored |
#151 |
2000 |
Sherry Markovitz |
Hearing Voices |
Tzadik |
TZ 7064 |
| Gustav Mahler |
| |
Das Lied von der Erde |
#132 |
1907-09 |
Christa Ludwig, Fritz Wunderlich, Philharmonia and New Philharmonia Orchestras (cond. O. Klemperer) |
Das Lied von der Erde |
EMI |
CDC 7 47231 2 |
| Symphony No. 4 |
#81 |
1901 |
Elisabeth Schwarzkopf; Philharmonia Orchestra (cond. O. Klemperer) |
Symphony No. 4, etc. |
EMI |
7243 5 67035 2 0 |
| Chad Mairn and Jon Shields |
| |
In Tenebrus Lux |
#163 |
Details at The September 11th Tragedy: A Musical Gallery |
| Clint Mansell |
| |
2πr from the π soundtrack |
#69 |
1998 |
|
Π |
Thrive |
90506-2 |
| Marilyn Manson |
| |
Godeatgod |
#173 |
2000 |
|
Holy Wood (in the shadow of the valley of death) |
Nothing/Interscope |
0694907902 |
| King Kill 33°r; |
#173 |
2000 |
|
Holy Wood (in the shadow of the valley of death) |
Nothing/Interscope |
0694907902 |
| Christian Marclay |
| |
Disc Composition #23 |
#100 |
1993 |
|
State of the Union |
MuWorks |
MUW 1016 CD |
| Free Jazz Shrunk |
#100 |
2001 |
|
State of the Union 2.001 |
EMF Media |
EM128-2 |
| Christian Marclay / Otomo Yoshihide |
| |
Derailment |
#35, #129 |
2000 |
|
Moving Parts |
Asphodel |
2001 |
| Fanfare |
#41 |
2000 |
|
Moving Parts |
Asphodel |
2001 |
| Luciano Margorani |
| |
Vendetta! |
#100 |
2001 |
|
State of the Union 2.001 |
EMF Media |
EM128-2 |
| Ingram Marshall |
| |
Fog Tropes |
#165 |
1979 / 1982 |
Jim Miller, Tim Wilson, Mack Kenley, Don Kenelly, William Klingelhofer, Brian McCarty |
Fog Tropes / Gradual Requiem / Gambuh I |
New Albion |
NA002CD |
| Matthew Marth |
| |
Cartoon Suite (in toto) |
#90 |
2001 |
|
Cartoon Suite |
private distribution |
| Patricia Elizabeth Martinez |
| |
Absolutis-s |
#100 |
2001 |
Guy Livingston |
Don't Panic! 60 Seconds for Piano |
Wergo |
WER 6649 2 |
| Áskell Másson |
| |
Prim |
#82 |
|
Evelyn Glennie |
Drumming |
BMG |
09026-68195-2 |
| Max Mathews |
| |
Bicycle Built For Two |
#66 |
1961 |
|
Early Modulations: Vintage Volts |
Caipirinha |
CAI.2027.2 |
| Matmos |
| |
California Rhinoplasty |
#123 |
2001 |
|
California Rhinoplasty EP |
Matador |
OLE 501-2 |
| Richard Maxfield |
| |
Sine Music (A Swarm of Butterflies Encountered over the Ocean) |
#162 |
1959 |
|
OHM: the early gurus of electronic music: 1948-1980 |
Ellipsis Arts… |
CD3670 |
| Peter Maxwell Davies |
| |
Turris Campanarum Sonantium |
#73 |
1970 |
Stomu Yamash'ta |
Henze / Takemitsu / Maxwell Davies |
London |
430 005-2 |
| b.n. maya |
| |
the train |
#90 |
2000 |
|
resurrection |
private distribution |
| Toshiro Mayuzumi |
| |
Prelude for String Quartet |
#85 |
1961 |
LaSalle Quartet |
Lutoslawski / Penderecki / Cage / Mayazumi |
Deutsche Grammophon |
423 245-2 |
| Nicolas Mazet |
| |
Turbulence |
#100 |
2001 |
|
State of the Union 2.001 |
EMF Media |
EM128-2 |
| Ben McAllister |
| |
Ducats |
#99 |
2002 |
Degenerate Art Ensemble |
Look-Away Popeye |
Degenerate Recordings |
006 |
| Huoeil |
#99 |
2002 |
Degenerate Art Ensemble |
Look-Away Popeye |
Degenerate Recordings |
006 |
| Daniel McCarthy |
| |
Concerto for Marimba, Percussion, and Synthesizer |
#161 |
1994 |
Drew Lang; The Meadows Percussion Ensemble (R. Stroker, dir.) |
strike -- the music of motion |
Gasparo |
GSCD-346 |
| Hal McGee |
| |
Compression |
#58 |
1997 |
|
Homemade Alien Music Volume One |
F.D.R. Recordings |
63 |
| Music for Schizo-Affective Schizophrenia |
#75 |
|
|
Music for Schizo-Affective Schizophrenia |
private distribution |
| Diana McIntosh |
| |
Luminaries |
#17 |
1978 |
Patricia Spencer, Diana McIntosh |
The Original McIntosh |
Aurum |
Aurum 103 |
| Processions |
#37 |
1993 |
|
Another Byte of McIntosh |
Aurum |
Aurum 102 |
| Sound Assemblings |
#25 |
1983 |
|
The Original McIntosh |
Aurum |
Aurum 103 |
| Jenny McLeod |
| |
Toneclock Pieces 1, 4, 5, 6 |
#94 |
|
Margaret Nielsen |
Sounz: Fine Music from New Zealand, vol. 1 |
New Zealand Music Centre |
|
| Lansing D. McLoskey |
| |
Theft |
#100 |
2001 |
Guy Livingston |
Don't Panic! 60 Seconds for Piano |
Wergo |
WER 6649 2 |
| Colin McPhee |
| |
Tabuh-Tabuhan |
#76 |
1936 |
Peter Basquin, Christopher Oldfather; American Composers Orchestra (cond. D. Russell Davies) |
Harrison / Ung / McPhee |
Argo |
444 560-2 |
| John Melby |
| |
Concerto for Violin and Computer-Synthesized Tape |
#9 |
1997 |
Maryvonne Le Dizes-Richard |
Hidden Sparks |
New World |
80333-2 |
| Gian-Carlo Menotti |
| |
Amahl and the Night Visitors |
#81 |
1951 |
Chet Allen, et al.; The NBC Television Theater Orchestra and Chorus (cond. T. Schippers) |
Amahl and the Night Visitors |
RCA/BMG |
6485-2-RG |
| Mercury Theater on the Air |
| |
Excerpts from the live broadcast of H. G. Wells' War of the Worlds |
#105 |
1938 |
|
The War of the Worlds |
Murray Hill |
S44217 (LP) |
| Merzbow |
| |
<Untitled remix> |
#116 |
2002 |
|
Persepolis + Remixes Edition I |
Asphodel |
LTD 2005 |
| Cannon Balls |
#100 |
2001 |
|
State of the Union 2.001 |
EMF Media |
EM128-2 |
| Degradation of Tapes |
#59 |
1998 |
|
1930 |
Tzadik |
TZ 7214 |
| Olivier Messiaen |
| |
Chronochromie |
#24 |
1960 |
Staatsorchester Stuttgart (cond. L. Zagrosek) |
Rückblick Moderne |
Col Legno |
WWE 8CD 20041 |
| La Nativité du Seigneur |
#176 |
1935 |
Jennifer Bate |
La Nativité du Seigneur, etc. |
Unicorn-Kanchana |
DKP(CD)9005 |
| Oraison |
#131 |
1937 |
Ensemble D'Ondes De Montreal |
OHM: the early gurus of electronic music: 1948-1980 |
Ellipsis Arts… |
CD3670 |
| Quartet for the End of Time |
#18 |
1941 |
|
Quatuor pour la Fin du Temps |
Erato |
|
| Trois Petites Liturgies de la Présence Divine |
#2 |
1944 |
New York Philharmonic (cond. L. Bernstein) |
Music of Our Time |
Sony Classical |
SMK 61845 |
| Turangalîla-symphonie |
#40 |
1948 |
Jean-Yves Thibaudet, Takashi Harada; Royal Concertgebouw Orchestra (cond. R. Chailly) |
Turangalîla-symphonie |
London |
436 626-2 |
| Visions de l'Amen |
#119 |
1943 |
Alexandre Rabinovitch, Martha Argerich |
Visions de l'Amen |
EMI |
CDC 7 54050 2 |
| Olivier Messiaen (arr. John Zorn) |
| |
Louange à L'Éternité de Jésus |
#42 |
1992 |
Naked City |
Grand Guignol |
Avant |
AVAN 002 |
| Metamorphosis |
| |
Love and Napalm |
#128 |
2002 |
|
Dip |
Leo |
CD LR 357 |
| Mice Parade |
| |
Focus On The Roller Coaster |
#167 |
2003 |
|
Wire Tapper 10, disc 1 |
The Wire |
|
| Minoru Miki |
| |
Marimba Spiritual |
#165 |
1984 |
Keiko Abe, Peter Prommel, Herman Rieken, Ruud Wiener, Jan Pustjens |
Go Between |
Editions EG |
EGED54 (LP) |
| Darius Milhaud |
| |
La Création du Monde |
#10, #143 |
1923 |
New World Symphony (cond. M. Tilson Thomas) |
New World Jazz |
BMG |
09026-68798-2 |
| Les Choéphores |
#20 |
1919 |
New York Philharmonic (cond. L. Bernstein) |
Milhaud / Roussel / Honegger |
Sony Classical |
MHK 62352 |
| Dick Mills |
| |
Adagio |
#174 |
2002 |
|
BBC: The Radiophonic Workshop |
BBC Records |
REC196CD |
| Ilhan Mimaroglu |
| |
String Quartet No. 4 ("Like There's Tomorrow") |
#154 |
1978 |
Janis Siegel; Beaux Arts String Quartet |
Criminal Record |
Finnadar |
7 91305-2 |
| Wings of the Delirious Demon |
#84 |
1969 |
|
Criminal Record |
Finnadar |
7 91305-2 |
| Robin Minard |
| |
Ré |
#136 |
1990 |
Bruno Martinez |
Electroacoustic Music |
Academy |
0085102ACA |
| Roscoe Mitchell |
| |
Prelude |
#98 |
1981 |
Tom Buckner, Roscoe Mitchell, Gerald Oshita, Brian Smith |
Four Compositions |
Lovely |
LCD 2021 |
| James Mobberley |
| |
Icarus Wept |
#159 |
1996 |
Keith Benjamin |
Music from SEAMUS volume 6 |
The Society for Electro-Acoustic Music in the United States |
EAM-9701 |
| Guido Mobius |
| |
Nelles |
#167 |
2003 |
|
Wire Tapper 10, disc 1 |
The Wire |
|
| Moisten Before Use |
| |
A World Without Handles |
#100 |
2000 |
|
Awkwardnisity |
Fragment |
Clod 18 |
| Nils Petter Molvær |
| |
Trip |
#58 |
2000 |
Nils Petter Molvær, et al. |
Solid Ether |
ECM |
ECM 1722 314 543 365-2 |
| Meredith Monk |
| |
Atlas |
#52 |
1991 |
Meredith Monk with Vocal Ensemble and Orchestra |
Atlas |
ECM |
ECM 1491/92 437 773-2 |
| Panda Chant I |
#52 |
1987 |
Meredith Monk and Vocal Ensemble |
Do You Be |
ECM |
ECM 1336 831 782-2 |
| Panda Chant II |
#52 |
1987 |
Meredith Monk and Vocal Ensemble |
Do You Be |
ECM |
ECM 1336 831 782-2 |
| Porch |
#52 |
1970 |
|
Key |
Lovely |
LCD 1051 |
| What Does It Mean? |
#52 |
1970 |
|
Key |
Lovely |
LCD 1051 |
| Jean Marc Montera |
| |
Ouverte au vent |
#100 |
2001 |
|
State of the Union 2.001 |
EMF Media |
EM128-2 |
| GenKen Montgomery |
| |
Lamination As A Virtual Metaphor |
#100 |
2001 |
|
State of the Union 2.001 |
EMF Media |
EM128-2 |
| Ikue Mori |
| |
"If…" |
#85, #100 |
2001 |
|
State of the Union 2.001 |
EMF Media |
EM128-2 |
| Labyrinth |
#162 |
2001 |
|
Labyrinth |
Tzadik |
TZ 7068 |
| One Hundred Aspects of the Moon |
#59 |
2000 |
Ikue Mori, et al. |
One Hundred Aspects of the Moon |
Tzadik |
TZ 7055 |
| Peony Lantern |
#128 |
2001 |
|
Labyrinth |
Tzadik |
TZ 7068 |
| Ennio Morricone |
| |
Man with a Harmonica from the Once Upon a Time In The West soundtrack |
#68 |
1995 |
(orchestra cond. E. Morricone) |
A Fistful of Film Music: The Ennio Morricone Anthology |
Rhino |
R2 71858 DRC2-1237 |
| On Earth As It Is In Heaven from The Mission soundtrack |
#68 |
1995 |
(orchestra cond. E. Morricone) |
A Fistful of Film Music: The Ennio Morricone Anthology |
Rhino |
R2 71858 DRC2-1237 |
| Robodog from the L'Umanoide soundtrack |
#100 |
1995 |
|
A Fistful of Film Music: The Ennio Morricone Anthology |
Rhino |
R2 71858 DRC2-1237 |
| Ennio Morricone (arr. John Zorn) |
| |
The Good, the Bad, and the Ugly (main title) |
#42 |
1987 |
Naked City |
Filmworks 1986-1990 |
Elektra Nonesuch |
9 79270-2 |
| Charlie Morrow |
| |
The Birth of the War God |
#141 |
|
The Western Wind Ensemble |
The Birth of the War God |
Laurel |
LR-840CD |
| John Morton |
| |
Lulabell |
#170 |
2000 |
John Morton, Ted Piltzecker |
Outlier: New Music for Music Boxes |
Innova |
innova 553 |
| Richard Moryl |
| |
Salvos |
#159 |
1969 |
Gerard Schwarz |
New Music for Trumpet |
Phoenix |
PHCD 115 |
| Mount Analog |
| |
If Mountains Could Not Sing |
#90 |
1997 |
Tucker Martine; Bruce Wirth |
Mount Analog |
Pehr |
PEHR001 |
| Leszek Mozdzer with Madjid Khaladj |
| |
Mazurka Op. 24 No. 1 (second version) |
#34 |
1999 |
|
Impressions on Chopin |
Opus 111 |
OPS 30-263 |
| Dominic Muldowney |
| |
Oboe Concerto |
#6 |
1992 |
Roy Carter; London Symphony Orchestra (cond. M. Tilson Thomas) |
Oboe Concerto |
NMC |
NMC D018S |
| Günter Müller and Toshimaru Nakamura |
| |
.Tint |
#167 |
2003 |
|
Wire Tapper 10, disc 2 |
The Wire |
|
| Gordon Mumma |
| |
The Dresden Interleaf 13 February 1945 |
#131 |
1965 |
|
an anthology of noise & electronic music / first a-chronology volume #1 |
Sub Rosa |
SR190 |
| Philip Munger |
| |
Robot Gagaku |
#128 |
1991-1993 |
|
From the Foundry: Music of Philip Munger |
Knik Music Company |
|
| Muslimgauze |
| |
Muslims of China |
#73 |
1991 |
|
United States of Islam |
Extreme |
XCD 007 |
| Mutant Data Orchestra |
| |
Edge Saturation |
#89, #174 |
2001 |
|
SONICABAL 2 -- Seattle Experimental Music Collective |
private distribution |
| Mutant Data Orchestra / inBOIL |
| |
<live improvisation #1> |
#174 |
|
|
live performance in studio |
| <live improvisation #2> |
#174 |
|
|
live performance in studio |