Program #41, February 22 2001: Unthemed.In this first unthemed program since I did the show with the randomly chosen playlist, I was still grappling with many of the same ideas I was trying to work out then (you may notice some of the same albums are used in both programs). I did decide on a true From Cats to Dogs approach this time, though, one originally intended to culminate in Schoenberg's original version of Pierrot Lunaire and Larry Austin's reformulation of the same material. However, I had two little epiphanies during the first hour that induced me to change the plan halfway through. First, I realized some of the thinking I've been doing lately about my own involvement in composition (or, lack thereof) was leaching out really strongly in the way I put together part of this evening's playlist. It came to me that the section of it running from the Ives through to the Alexander -- which segued more by texture than by anything else, a sign that something deeper was organizing my choices -- if "averaged out" between the pieces probably falls fairly near the central tendencies of my own compositional impulses. After that, I wasn't really sure that I wanted to continue with the playlist I'd originally planned, especially since I'd already been thinking that the two Pierrot pieces really needed to be in their own program (or programs: I'm still thinking about how best to do this); once I was clear that I was in the middle of a playlist that seemed to have more to do with my navel-staring about wanting to compose, rather than anything else, I definitely wanted to delay them to some other time when they could be a bit more central to the business at hand. So, the Pierrot pieces are delayed indefinitely... and, after talking a little about this, I reconstructed the playlist on the fly, continuing with a number of pieces for flute, piano, percussion, and electronics (in various combinations) in a way that continued the From Cats to Dogs approach. Finally, at the end, I tacked on a brief Pierrot-derived snippet from Mel Powell, as kind of an IOU regarding future broadcast of the Pierrot material. |
| Hour | Artist | Title | Date | Performers | Album | Label | Number |
| (Click hyperlinks for special notes, to see more about artists, connect to record labels, and more!) | |||||||
| 12m | Einstürzende Neubauten | Wüste | 1992 | Tabula Rasa | Mute | 61458-2 | |
| Iannis Xenakis | Keren | 1986 | Benny Sluchin | Le Trombone Contemporain | ADDA | 581087 | |
| Norman Yamada | Mundane Dissatisfactions | 1991 | Meridian Arts Ensemble | Smart Went Crazy | Channel Crossings | CCS 4192 | |
| Charles Ives | From the Steeples and the Mountains | 1902 | The London Gabrieli Brass Ensemble (cond. Christopher Larkin) | From the Steeples and the Mountains | Helios | CDH55018 | |
| Christian Marclay / Otomo Yoshihide | Fanfare | 2000 | Moving Parts | Asphodel | 2001 | ||
| Einstürzende Neubauten | Mikroben | 1981 | Strategies Against Architecture | Mute | 61677-2 | ||
| Robert Ashley | Factory Preset | 1993 | A Chance Operation: The John Cage Tribute | Koch International Classics | 3-7238-2 Y6x2 | ||
| Gerard Pape | Le Fleuve du Désir | 1994 | Arditti String Quartet | Electro-Acoustic Chamber Works | Mode | mode 67 | |
| Giacinto Scelsi | L'Âme Ailée | 1973 | Robert Zimansky | Giacinto Scelsi: Elegia per Ty, etc. | Accord | 200622 | |
| Giacinto Scelsi | L'Âme Ouverte | 1973 | Robert Zimansky | Giacinto Scelsi: Elegia per Ty, etc. | Accord | 200622 | |
| 1a | Kathryn Alexander | And the Whole Air is Tremulous | 1985 | Dorothy Stone | None But The Lonely Flute | New World | 80456-2 |
| Roger Briggs | Trailblazers | 1999 | Paul Taub | Oo-ee | Periplum | P0070 | |
| Donald Erb | Drawing Down the Moon | 1991 | Jan Gippo, Kirk Brundage | Drawing Down the Moon | New World | 80457-2 | |
| Charles Wuorinen | Janissary Music | 1966 | Steven Schick | Born To Be Wild | Newport Classic | NPD 85566 | |
| 2a | Wesley Fuller | The Camargo Trio | 1990 | Jacques Linder, Robert McCormick | Electro Acoustic Music III | Neuma | 450-87 |
| Christopher Keyes | Sinfonia Computant | 1996 | Keyboard Works 1986-1997 | Centaur | CRC 2377 | ||
| James Boros | Mnem | 1985 | David Holzman | Explorations: New American Piano Music | Centaur | CRC 2291 | |
| Cecil Taylor | Sirenes 1/3 | 1990 | Cecil Taylor, Gregg Bendian, William Parker | In Florescence | A&M | CD 5286 | |
| Cecil Taylor | Pethro Visiting The Abyss | 1990 | Cecil Taylor, Gregg Bendian, William Parker | In Florescence | A&M | CD 5286 | |
| Mel Powell | Die Violine | 1987 | Judith Bettina, Mel Powell, Yoko Matsuda | Six Recent Works | Musicmasters | 7013-2-C | |
| Shriekback | Below | 1992 | Sacred City | World Domination | CDP 0777 7 98780 2 4 | ||
| If you find anything above to be unclear or incorrect, please contact me with feedback. | |||||||